She broke her arm and I had to put her down.
The Coon Box is complete.

I think I’ve finally finish this ragged thing! Boy has it ever been a learning experience. I actually thought I had finished it the other day but after getting it all wired up, I realized I was using a stereo jack instead of mono. Silly Kreg! Trix are for kids! Of course, I rewired it an additional 3 times just to make sure. By the way, solder burns the skin.
It plays nice acoustic or plugged in, that is, if you know how to play.

I worked for Ben Franklin when I was just a baby.
Back in 1987, my first “real” full time job after I got married, was for a local printing company. I was their only artist on staff at the time. There were no fancy Apple computers to help with design and such. We had a type setting machine and paste up was the way it was put together.
Just look at that little 20 year old kid working away on those less than cool layouts! He thought he was all full of undiscovered talent and potential. Held down by the man! Forced to work on crappy projects. Didn’t they realize my creative genius was just waiting to be unleashed? Oh brother, what a bunch of stupid thoughts I had about real work and my role in it.
Sure, I was working in a printing company instead of a prestigious ad agency but did it kill me? Heck no.Working there gave me a huge understanding of and appreciation for the printing process like never before. It was the first time I really had to design alone. The first time I had to come up with solutions to hard problems without someone holding my hand. It was my sink or swim moment. I like to think I swam pretty good most days but looking back, I made plenty of mistakes. Oh, and I wasn’t swimming all alone. Here’s a few of the great people I worked with that really helped me.

Karen, the bosses daughter.
She worked afternoons in the reception area when she wasn’t going to classes. Super nice girl. An over achiever with a promising future.
Richard, the stripper.
Richard prepared my finished art boards for the printing press. He drove a really cool El Camino that I always envied. A really nice guy.
Henry, the runner and paper trimming guy.
When he wasn’t making deliveries, Henry cut up print pieces on a paper cutter that scared the crap out of me. It could take your arms off but he worked it like it was nothing. Glassy eyed and sweating, he would tell me all about how he was going to whip the boss man at poker later that day. They played a game some afternoons starting around 4 pm. They had a lot of fun.
Dick, head pressman.
One of the most interesting guys I’ve ever had the pleasure to call friend. The boss man really liked Dick and always called him Peter. (too funny!) Dick ran the press operations of the company and seemed to know every thing about printing. He didn’t talk about how he knew every thing, he just did. His hands constantly shook like he was nervous. He told me it was because of his time in Vietnam. Funny thing was, when he was working on something tedious, his hands didn’t shake. For that moment, he was steady as a surgeon. That always amazed me.
Jerry, the foil stamper.
Originally, Jerry was from Greece. All he ever worked on was foil stamping and die cutting projects. He was a really serious man about his work. He was always neat and clean. Never covered in ink stained clothes. Never got angry and acted ugly to anyone. Always, amazingly calm. I figured it was a Greek thing. Everyday at lunch, he would eat and then go for a walk. His daughter studied at Parson’s School of Design in New York. He busted his ass everyday to send her there and I loved that about him.
Ralph, the boss man. (not pictured)
Ralph always carried a cigar that he never lit, just chewed on it all day. Sometimes, he would swap those for sunflower seeds. He always dressed professional but by 9:30 am, his shirt would be un-tucked in the back. I loved that! A super smart guy, he kept the place running tip top. Ralph gave me a job when I really needed one and made a huge impact on my career. He taught me a butt load about print design and working face to face with clients, valuable stuff my young mind really needed to learn if I was ever going to be successful. So far, so good. Thanks, Ralph!
One hell of a good mess
Lots of empty buckets after pouring (this term used loosely) concrete pad for the garden sink. Big thanks to my oldest buddy, Scott, for the materials. Special thanks to Wyatt for being my concrete working man. He busted his ass helping me get all that stuff mixed and sloshed around. The pad we made is 7′ x 8′ and actually looks pretty good despite our limited experience with such projects.
The Coon Box: my first cigar box 2 stringer
With no practical experience, I blindly craft away.

It shall be called The Coon Box. The reason should be obvious.
Whenever the tuning keys and strings arrive, I will finish it all up. I ordered a Danelectro HoneyTone amp so I can sit in my garden and annoy the neighbors. I can’t wait.
Sneaky Snake Diddley Bow
The talented Shelley Rickey got me all inspired when I saw her homemade diddley bows. I did some digging around the net for some more info on these cool instruments. I also got some great info from Shelley on how she crafted hers. Here is my first, the Sneaky Snake.
The nut is a pig tooth. The tuning key is the cheapest Morrison Brothers Music sells about $7. The current string is a banjo string I scammed from Austin. The wood is a pre-cut piece of poplar from Lowes. About $4.

The bridge and pickup is an old Altoids tin with a piezo element and female phone jack totaling about $8 if you include the Altoids.

By its self, it sounds a little weak but hook this sucker up to an amp and WOW! You can get a dirty blues crunch like you wouldn’t believe. I play like a 5 year old so I will let Steve show you how its done.
Now, I’m working on a 2 string cigar box guitar. Photos to come.












































